Meet Room Collective member Nailah King

Meet Room collective member and marketing coordinator Nailah King.

Meet Room collective member and marketing coordinator Nailah King.

ROOM: You have worked for more traditionally organized magazines. What’s different about working with a collective?

NK: It’s a little cheesy, but it’s like having a tight-knit extended family. In the process there are, of course, chal-lenges, but it’s a supportive structure that I’m ultimately very grateful for.

ROOM: What books are you currently reading?

NK: In Evil Hour by Gabriel Garcia Marquez. And by reading, I mean guiltily avoiding its gaze as it sits dusty and neglected on my bedside table.

ROOM: Read any good mysteries?

NK: My first forays into mystery writing were with Arthur Conan Doyle’s Sherlock Holmes, believe it or not, and a children’s cartoon called Night Hood based on the fictional thief Arsène Lupin, which is based on the writings of Maurice Leblanc. I also really enjoyed The Woman in White but Wilkie Collins lost me after I read The Moonstone. While I’m not currently reading any mystery novels, I’m a huge fan of the British television show Midsomer Murders, based on the writings of British author Caroline Graham.

ROOM: You’re a big fan of Young Adult books. Tell us about that.

NK: Around age eleven, I read a fantasy novel called The Spiral Maze, by Canadian author Patricia Bow. It kickstarted my love of YA and also my love for magical realism. What I love about YA is when done right, as in The Silver Kiss by Annette Curtis Klause, the genre opens up a space for teens to engage and dialogue about issues they struggle with in a non-patronizing or preachy way. My favourite YA writer is probably a tie between Phillip Pullman and John Green. Pullman made high school bearable, and Green’s Looking for Alaska changed my life.

ROOM: You’re also a writer. What lead you to writing?

NK: My love affair with narrative started before I read books. I loved Mom’s retelling of regional lore and Caribbean folk tales. Telling stories seemed to me like having a superpower, a power I so eagerly wanted to possess.

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ROOM 48.1 WITS END
In times of crisis, we laugh to offer tenderness, to ward off despair— so we can be brave. Gather round ROOM 48.1 WITS END and let humour be a mirror held up to the state of the world as we continue to resist.

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ROOM 47.4 FULL CIRCLE
Step back with Room into the past, to parents, to childhood homes, and to people once known and loved; dig into themes of grief and healing; and ultimately explore what it means to come full circle in literature.

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