In celebration of our 2020 poetry contest, Room editorial board member, Hope Lauterbach, had the opportunity to ask Lubrin a few questions about her book-length poem, The Dyzgraphxst, writing craft, and what she looks for in a poem.
We're thrilled to have the multi-genre author judge our Short Forms Contest this year and took the opportunity to ask her a few questions about her award-winning novels, using magic to explore the construct of gender, and the genre-blurring qualities in her work. DEADLINE EXTENDED TO NOVEMBER 15, 2018!
Naava Smolash is a white settler from a working class immigrant family. Her writing appears in Studies in Canadian Literature, West Coast Line, LitHub, Everyday Feminism, Briarpatch, and the University of Toronto Quarterly. Her essay "The Opposite of Rape Culture is Nurturance Culture" went viral in February 2016 and grew into a book, Turn This World Inside Out, published by AK Press in 2019. She was a member of the No One is Illegal-Vancouver collective from 2005-2009, and the Media Democracy Day-Vancouver collective from 2008-2010. Originally from Montreal, she lives in Coast Salish Territories, also known as Vancouver, British Columbia, where she teaches in the English department at Douglas College. She holds a PhD in English Literature from SFU, and is a 2018 graduate of The Writer’s Studio.
To celebrate the upcoming Growing Room Festival 2020, we are chatting with a few festival authors to learn more about them and their work until the festival rolls around. Isabella Wang chats with some of the talented young writers who will be performing at this year's annual youth reading on March 9. She asks them about their experiences and backgrounds with writing, the communities they're a part of, and what they are most looking forward to.
In the following interview, Manahil Bandukwala chats with poet and fellow festival author, Liz Howard, whose debut poetry collection, Infinite Citizen of the Shaking Tent won the Griffin Poetry Prize in 2016. The author spoke about contamination and poisoning in northern Ontario, developing an ecological consciousness, and being a citizen beyond citizenship.
Next up, Chimedum Ohaegbu chats with Jillian Christmas, who is—in addition to being a festival author—one of the programming committee members of Growing Room 2020 and the host and curator of the opening night event at Fox Cabaret. The writer and artist is a force in the spoken word/slam poetry community as a performer, facilitator, anti-oppression advocate, and former Artistic Director of the Vancouver Verses Festival of Words. Read what Jillian has to say about being afraid of the internet, her highly anticipation book of poetry coming out, and page vs performance poetry.
Cassandra Blanchard’s debut poetry collection, Fresh Pack of Smokes, is an immersive, intimate account of drug addiction, love, sex work, and survival on the streets of Vancouver. These are prose poems that shake with urgency, deftly stacking vivid imagery which twists to the emotional core of the book. Her work is unflinching, tender, and fierce. In the following interview, Selina Boan speaks to Cassandra Blanchard about her “love” poems, the biggest challenge in publishing her debut poetry collection, and the community she found because of it.
Kai Cheng Thom’s latest book, I Hope We Choose Love: A Trans Girl’s Notes From the End of the World (Arsenal Pulp, 2019), is an expansive and intimate collection of essays and poetry on transformative justice and radical love, both in and beyond queer activist communities. Read what the multi-genre writer thinks about choosing love, writing in different genres, and the ideal secret society.
In this interview, Manahil Bandukwala talks to Amanda Leduc ahead of her appearance at Growing Room 2020. Read what Leduc has to say about “Disney-fying” fairy tales, writing non-fiction, and nurturing community.
Our 2020 Fiction Contest judge and Growing Room Festival author, Rebecca Fisseha, is the author of Daughters of Silence (Goose Lane Editions), which was listed among the most anticipated fiction titles of Fall 2019 by CBC Books and 49th Shelf, and one of Quill & Quire’s breakout debut novels of 2019. Room editorial board member, Lue Boileau, took the opportunity to chat with our fiction judge and festival author about why she chose to write Daughter of Silence before any other book, writing difficult truths, and the faith she has developed for her writing process.
Currently on Newsstands
Room 43.3, Neurodivergence
Edited by Rachel Thompson
In this issue:
K. J. Aiello, Aeman Ansari, Annie Blake, Karmella Cen Benedito De Barros, Aimée Henny Brown, Megan Callahan, Conyer Clayton, Rachel D.L., Dorianne Emmerton, Lauren Ewald, Kate Finegan, Catherine Garrett, LHC, Safiya Hopfe, Madison Hyman, Claire Kelly, Terese Marie Mailhot, Elizabeth McGeown, Kate Mildew, Amy Newell, Lisa O’Neill, Ottavia Paluch, Ryan Rattliff, Nicole Robitaille, Michele Saint-Yves, Emi Sasagawa, L M Schmidt, A.K. Shakour, Jane Shi, Hilary Sideris, Nadia Siu Van, Erin Soros, Léa Taranto, Allison Bird Treacy, Sarah Williams, Lindsay Wong, A. Light Zachary.