Acclaimed author and wonderful human Eden Robinson is here to discuss what it's like to have your book turned into a movie! Eden chats with Mica about what a mind trip it is to visit a film set and hear actors saying lines you wrote, and why she ultimately prefers writing novels over screenplays. Eden also talks about why she chose her home town of Kitamaat Village as the setting for the book and movie version of Monkey Beach, and why pipelines are such a fraught issue in northern coastal towns. She also teases her upcoming trashy band council romance novel, and doesn't that sound great?
Though the act of writing can be a solitary process, it has the power to transform communities. Vancouver will welcome more than eighty authors from October 15-21, 2018, each invested in societal change. These five events will galvanize anyone interested in knowledgeable, feminist, and principled conversations that fearlessly engage with issues of representation, equality, and more.
In Anne of Green Gables—that beloved Prince Edward Island saga—Lucy Maud Montgomery wrote, “Tomorrow is always fresh with no mistakes in it.” Well, Lucy Maud Montgomery wasn’t around for 2016. The tomorrows (and yesterdays and todays, hours and even minutes) of 2016 were not only marked by mistakes, but by catastrophic anguish and an alarming amount of apathy. I won’t even mention the mistakes of 2016 in this blog post for fear of giving them more power. If there is power in naming, then I want to give that power to 17 forthcoming books that will surely help remember what bright and remarkable beings we are, and to move forward knowing that possibility always exits. Books do this for us, right? (The answer is damn right.) I name these 17 Books to Read in 2017.
Eden Robinson is a Haisla/Heiltsuk fiction writer known for her haunting, dark, and beautiful portrayals of contemporary Indigenous life in Northern B.C. and Vancouver. Robinson grew up in Kitamaat Village on Haisla territory where she now lives and writes. She received her BA in Victoria, and lived in Vancouver where she earned an MFA in Creative Writing at UBC. In the following interview, originally published in issue 39.3 "Canadian Gothic", Room's Taryn Hubbard had the chance to ask Robinson about the Canadian Gothic theme and how she sees it playing out in her past and current work.
From portraying families tormented by terrible secrets to hostile landscapes that forsake their inhabitants, our national writing isn’t afraid to get morbid, creepy or just plain weird—while still somehow maintaining a sense of humour. In no particular order, eight Canadian Gothic literary works to inspire your submissions for our Canadian Gothic themed issue.
Room collective member Jónína Kirton shares her list of Canadian Aboriginal writers whose work she has either come to know and respect or that are on her "to read” list.
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Room 41.4, Emergence
Edited by Alissa McArthur
In this issue:
Tharuna Abbu, Farah Ali, Kristin Bjornerud, Michelle Chen, Nomi Chi, Morgan Christie, Kim Fu, Hannah Graff, nancy viva davis halifax, Ceilidh Isadore, Liz Kellebrew, Jo Lee, Kris Ly, Melanie Mah, Sara Mang, Katie McGarry, Estlin McPhee, Triin Paja, Loghan Paylor, Nagmeh Phelan, Oubah Osman, Lisa Rawn, Yvonne Robertson, Erika Thorkelson, Cara Waterfall.