contest

Defying Genres with Hiromi Goto, Room's Short Forms Contest Judge

Hiromi Goto

We're thrilled to have the multi-genre author judge our Short Forms Contest this year and took the opportunity to ask her a few questions about her award-winning novels, using magic to explore the construct of gender, and the genre-blurring qualities in her work. DEADLINE EXTENDED TO NOVEMBER 15, 2018!

Dazzle Camouflage

“Dazzle Camouflage” is the honourable mention for Room's Creative Non-Fiction Contest 2019. Here's what the judge, Terese Marie Mailhot, has to say about the essay: “‘Dazzle Camouflage’ was full of beautiful language and the depth of the work was wonderful to sit with. It was personal and cerebral and the voice within the work felt poetic and full. What does it mean to inhabit an identity or be part of a larger community and shared history? It’s a beautiful essay looking closely at the self.”

An Interview with Catherine Hernandez: Room’s 2019 Fiction Contest Judge

Catherine Hernandez looking sideways into the camera.

Room’s Annual Fiction Contest is now open until March! First place winner will receive $1,000 and be published in an upcoming issue of Room. This year, short stories will be judged by Catherine Hernandez. Catherine Hernandez is the artistic director of b current performing arts and the award-winning author of Scarborough (Arsenal Pulp Press, 2017). Room's Tamara Jong asks her a few questions about her work, her advice for emerging writers, and what she looks for when judging a contest.

An Interview with Room's Creative Non-Fiction Judge Stacey May Fowles

Stacey May Fowles

Stacey May Fowles is a novelist, sportswriter, essayist, and Room’s 2018 creative non-fiction contest judge. She received widespread acclaim for her passionate perspective on baseball and fandom in her 2017 essay collection, Baseball Life Advice. We had a chance to talk to Fowles about finding community in writing and what makes for riveting non-fiction.

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  • Room 43.3 Neurodivergence: Collage construction featuring black and white architecture dotted with circular adornments and rectangular window grids.The architectures are both right-side-up and upside-down, challenging gravity while becoming their own planet - bonded together by sharp, clear crystal points and organic blooms of mustard-coloured minerals.
    Room 43.3, Neurodivergence
    Edited by Rachel Thompson

    In this issue:

    K. J. Aiello, Aeman Ansari, Annie Blake, Karmella Cen Benedito De Barros, Aimée Henny Brown, Megan Callahan, Conyer Clayton, Rachel D.L., Dorianne Emmerton, Lauren Ewald, Kate Finegan, Catherine Garrett, LHC, Safiya Hopfe, Madison Hyman, Claire Kelly, Terese Marie Mailhot, Elizabeth McGeown, Kate Mildew, Amy Newell, Lisa O’Neill, Ottavia Paluch, Ryan Rattliff, Nicole Robitaille, Michele Saint-Yves, Emi Sasagawa, L M Schmidt, A.K. Shakour, Jane Shi, Hilary Sideris, Nadia Siu Van, Erin Soros, Léa Taranto, Allison Bird Treacy, Sarah Williams, Lindsay Wong, A. Light Zachary

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