While Casey Plett was in Vancouver to present at Growing Room 2018, Room editor Arielle Spence spoke with her about working in publishing, winning a Lambda, co-editing the anthology Meanwhile, Elsewhere: Science Fiction and Fantasy by Transgender Writers (Topside Press, 2017), and her new novel, Little Fish.
Jessica Johns spoke with Arielle Spence, a queer, nonbinary aspiring writer and arts administrator originally from Coldstream, BC (unceded Okanagan Territory). They were the festival director of Growing Room 2017, Room’s inaugural feminist literary festival, one of the assistant editors of the forthcoming queer issue, and are currently editing Room's Magic issue. Here’s a sneak peak of the RoomMate interview.
On May 1, 2018, the call for Issue 42.1 "Magic" opened. In anticipation of this exciting themed issue, the editorial team of the issue share some thoughts about their connection to the theme, what they're looking for in submissions, and recommendations for ways to live your reading life (and every day) more magical.
Whether you’re building a New Year’s resolution reading list or hoping to renew your faith in #CanLit, we at Room are here to help. This list of some of our most beloved fiction, poetry, and non-fiction books by queer Canadian writers, compiled by fourteen members of the Room collective, is a great place to start.
In January 2017, Arielle Spence spoke with Ann Y.K. Choi about her debut novel, Kay’s Lucky Coin Variety. Kay’s—which was a finalist for the 2016 Toronto Book Award—charts the coming-of-age of Mary, a Korean Canadian teenager living in Toronto in the 1980s. Over the course of the conversation, Ann spoke about lessons learned from teenagers; motherhood and migration; discovering one’s agency; a Handbook for Debut Novelists; and practicing gratitude.
Rachel Thompson is the founder of Lit Mag Love, an online course that supports writers in their efforts to submit to literary magazines, the former managing editor of Room, and a current member of the editorial board. She will edit our March 2018 issue, "Family Secrets," which is open to submissions until July 31, 2017. Assistant editor Arielle Spence asked Rachel a few questions about the nature of secret-sharing, her own family secrets, and what she looks for in a submission.
More often than not, when Roomies gather, we talk about books. Books we can't put down, books we couldn't put up with, and books that make us talk. For this reading list, eleven of us got together and discussed novels, short story collections, poetry, memoirs, and comics that we have read and loved which happen to be written by Canadian Women of Colour. A few of these are well-known classics, a few are upcoming releases. There are stories set locally and abroad, and also include one in dystopian Toronto. Writing from the Women of Colour perspective is not a genre, but instead a multitude of voices, stories, and experiences coming together. And even though we are honoured to feature a handful of these writers are in our upcoming anthology, we know that this is just a starting point, and by no means a comprehensive list of books written by Canadian WOCs. At Room, we recognize that there is work to do, and we are already working on a part two.
Comics and graphic novels hit the sweet sweet spot between art and literature. Here, Room editors share a few of our favourites.
Currently on Newsstands
Room 43.3, Neurodivergence
Edited by Rachel Thompson
In this issue:
K. J. Aiello, Aeman Ansari, Annie Blake, Karmella Cen Benedito De Barros, Aimée Henny Brown, Megan Callahan, Conyer Clayton, Rachel D.L., Dorianne Emmerton, Lauren Ewald, Kate Finegan, Catherine Garrett, LHC, Safiya Hopfe, Madison Hyman, Claire Kelly, Terese Marie Mailhot, Elizabeth McGeown, Kate Mildew, Amy Newell, Lisa O’Neill, Ottavia Paluch, Ryan Rattliff, Nicole Robitaille, Michele Saint-Yves, Emi Sasagawa, L M Schmidt, A.K. Shakour, Jane Shi, Hilary Sideris, Nadia Siu Van, Erin Soros, Léa Taranto, Allison Bird Treacy, Sarah Williams, Lindsay Wong, A. Light Zachary.