“What if we all stopped the cycle of saying ‘this is who your audience is’?”
A podcast about Canadian literature, feminism, and everything in between. New episodes published on the 15th of every month. Hosted by Mica Lemiski. Episode One: Why We Write (featuring poets Selina Boan and Mallory Tater).
You don’t need an MFA to be taken seriously as a writer. Most of the time, when there’s a writer that you like, you don't know if they have an MFA or not.
A selection of reviews from the 2017 Vancouver Fringe Festival (September 7-17). We'll be adding new reviews throughout the festival, so check back daily for a dose of theatre goodness. Image: Mily Mumford in "Distractingly Sexy."
I was tagged in a thread on Facebook about the difficulty in naming black Canadian women who had published a novel before the age of forty. I thought about this and began questioning the reason why it was so difficult to come up with even one name. Shortly after seeing this thread, someone posted a link to a CBC radio interview with Donna Bailey Nurse. After listening to the interview twice and hearing her thoughts on black women and their place in the publishing industry, I knew I had to speak with her.
Ricepaper Magazine has been publishing literature and art by Asian Canadians since 1994. Though they transitioned to digital only in 2016, Ricepaper is currently running a Kickstarter campaign for a print anthology, Currents. We spoke to Ricepaper’s fiction editor Karla Comanda and poetry editor Yilin Wang (also a Room collective member!) about the campaign, and changes to their magazine over the years.
She built a tower for herself. What a waste
of sand, they all thought, and to not lower
her hair down—who waits, in a desert, to be overcome
This is what I can tell you: On a June night in 1986, my mother drinks from a tall glass of ice water. The radio might be on. If it is on, she is listening to Patti or Luther or The Pointer Sisters or Whitney. She might be singing, voice off-key but still rising proudly up her throat.
In the following interview, Rooney discusses some of the inspirations for her work, the need for complexity in conversations about trauma, and how fiction can set us free.
Waterloo-based artist Amanda Rhodenizer won our 2016 Cover Art contest with her painting “Attachment.” We spoke to Rhodenizer, whose winning piece appeared on the cover of Room 40.2, Our Rubble, Our Loss, about her process and inspirations.
Currently on Newsstands
Room 41.2, Changing Language
Edited by Kayi Wong
In this issue:
Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang.