Bone and Bread

Bone & Bread
By 
Saleema Nawaz
House of Anansi, 448 pages, $22.95
Reviewed by 
Cathleen With

The thing about Saleema Nawaz’s Bone & Bread is that I expected a book, (your typical book maybe?) about the larger sister and the anorexic sister. The tension between the two. How they navigated high school. How they were approached, or not, by boys. How they overcame their struggles and grew out of it all. As someone who has gone through a broad spectrum of eating disorders, I gravitate wonderingly to that kind of story, that novel that explores what’s going on—with young girls mostly, though of course we know that boys are increasingly  disordered as well—and how they see their bodies. Usually a traumatic event tips the scales, as in the case of these sisters—but rarely have I seen a story so deftly and unusually described: two Sikh girls living above their uncle’s bagel shop in Montreal. 

Their mother is a beautiful airy-fairy type who believes in many spiritualities, many religions, and exposes the girls to parties and sleepovers with strangers who are (thankfully) kind. They have the kind of existential conversations that few mothers do with their daughters. And the love and the taste and the colours of the mostly vegetarian food, fruits, vegetables, stews infuse the intense relationship Beena and Sadhana have with their mother. But this is soon to end, and Beena and Sadhana start to separate in ways that are completely off the spectrum: Beena toward teen motherhood and Sadhana toward voices attacking her already tiny body. 

What is transcendent later about this story is Montreal in all her characteristic hues, and Beena’s son, who wants quite secretly in all his “manhood” of eighteen years to go back to seeing his aunt and living with her the way they used to during his first eight years. This book is about his journey too, and the secrets the sisters have kept from him. What I loved about this book was exactly what I didn’t expect, an intricacy of plot, sense-sound-space of Montreal and the fusion of an unhuggable, yet caring Sikh bagel maker uncle, a delicate dancer who is wasting away, and the mother and son who are bound together. This gorgeously wrought book will make you uncomfortable at times because it is a peek inside us all, bound by bone and breaking bread.

Cathleen With’s first book, skids (Arsenal Pulp Press, 2006), about street kids on the Downtown Eastside of Vancouver, was short-listed for a Relit Award. Having Faith in the Polar Girls’ Prison (Penguin Group; winner of the Ethel Wilson Fiction Award), is her first novel. She was recently in V6A:Writings from Downtown Vancouver’s Eastside, which was short-listed for a City of Vancouver award.

The Undefended Border

My husband wants to know why the line is always broken.
I say the poem is made of words, but the words are not
the poem. The words are the way in. The broken

lines are openings. I remember how his skin turned
gold under a streetlight the first time he took off his shirt,
and I saw his waist, small below the broadness of

his shoulders. I took hold of his shoulder blade, the narrow
rudder of a slender boat. Which is the poem? I ask,
his shoulder blade or the words: narrow, slender, boat.

~

This Kind of Fairytale

We polish our big bellies with creams,
          we henna Eden vines on them,
we Buddha rub them, as do strangers, for wealth.
          In birth class they tell us
your body was made for this. They tell us
          your mothers were strapped down and drugged.
We are capable of doing so much more:
          of squatting, of controlling our contracting
muscles, of talking to our babies, guiding them out.
          Picture your cervix opening, opening
they tell us, and we picture mandalas everywhere—

Pages

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