Nav Nagra, who has been an editorial board member and the advertising coordinator at Room since 2014, will be editing an upcoming issue of the magazine on migration. Nav has written poetry and reviews for Project Space, Sad Magazine, Lemon Hound, Room, and the New Vancouver Poets Folio. Kayi Wong spoke to Nav about why she chose migration as a theme, and how reading submissions have changed the way she reads and writes.
Room is pleased to bring you the fifth installment in the captivating and thought-provoking Deep Salt Water, an interdisciplinary collaboration between author Marianne Apostolides, collage artist Catherine Mellinger, photographer Melanie Gordon, and composer Paul Swoger-Ruston, based on the forthcoming book by Apostolides of the same title.
Poet and essayist Nicole Breit is the winner of Room's 2016 CNF contest. Her piece, "An Atmospheric Pressure," is published in our most recent issue—Room 39.4 "This Body's Map"—and explores the complex emotional ground that accompanies the death of a first love. We recently had the chance to chat with Nicole about her writing process for "An Atmospheric Pressure," what it means to excavate a memory, and the revelations that can come from writing about the self.
. . . I found a pair of velvet-coated antlers,
three fingers reaching from an open palm
still throbbing with platelet’s hot breath
We meet in what I can only describe as a violent way, in that he spots me as we both watch the old man die in the middle of Portage Ave.
Eden Robinson is a Haisla/Heiltsuk fiction writer known for her haunting, dark, and beautiful portrayals of contemporary Indigenous life in Northern B.C. and Vancouver. Robinson grew up in Kitamaat Village on Haisla territory where she now lives and writes. She received her BA in Victoria, and lived in Vancouver where she earned an MFA in Creative Writing at UBC. In the following interview, originally published in issue 39.3 "Canadian Gothic", Room's Taryn Hubbard had the chance to ask Robinson about the Canadian Gothic theme and how she sees it playing out in her past and current work.
Erin Wunker is Chair of the Board of the national non-profit organization Canadian Women in the Literary Arts, a teacher of Canadian Literature and cultural production, as well as co-founder, writer, and managing editor of the feminist blog Hook & Eye: Fast Feminism, Slow Academe. Room’s Geffen Semach spoke to Erin Wunker about her new book, the act of refusal, self-care, and what it means to take on the figure of the feminist killjoy.
Natalie Wee is the author of Our Bodies & Other Fine Machines (Words Dance Publishing, 2016) and Once in a Blue Moon (BookThug, 2018). She is the Associate Fiction Editor at Broken Pencil Magazine. Her first book is now available at Amazon and on Goodreads.Room’s Chelene Knight spoke with her about her putting together her first book, and her experience publishing in both the US and in Canada.
Hold a winesap apple to your brow and think of the worst possible outcome.
Or has the worst already happened? How do you define cataclysm?
Are you dead yet?
We're writing letters to our future selves
wanting to know if we can outlive men with beautiful hands.
Currently on Newsstands
Room 41.2, Changing Language
Edited by Kayi Wong
In this issue:
Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang.