41.3 The Queer Issue

Room magazine invites women and genderqueer folks who identify as part of the LGBTTQIA+ spectrum to submit their best poetry, fiction, CNF, and art to our first queer-themed issue. We especially encourage submissions from writers affected by multiple intersections of oppression, such as racism, classism, ableism, fatphobia, ageism, and transphobia. 

Migration

Migration Cover

I have never migrated. Not in the traditional sense anyway. My feet have more or less stayed on the same ground. I do, however, come from those who have migrated. From my grandfather who left India to find new life in England. From my mother who left that life in England to come to Canada to meet my father who had migrated from India to see what the other side of the world could offer. These movements inevitably shaped the person I would become. The person I would migrate into.

Our Rubble, Our Loss

Room vol 40.2: Our Rubble, Our Loss

I have been thinking a lot about loss lately. I have been a voracious reader since childhood; I have always filled the spaces created by loneliness and loss with words. For me, and, no doubt, for many, many others, it’s just been one of those years.

Sarah Kabamba: Emerging Writer Award Winner 2017

saram kabamba emerging writer award winner

After being shortlisted for Room's Annual CNF Contest in 2015, Sarah Kabamba won the Fiction Contest in the same year with “They Come Crying.” Subsequently, the writer was published again in Room—this time with her poetry, “Dust”, in the Women of Colour issue. Room's Kayi Wong talked to Sarah about her motivation and diligence when it comes to multiple genres of writing.

Food

Room Vol 40.1: Food

As editors, we had to ask ourselves—Did we pick this theme because it was obvious and we were hungry? Food can be gratifying, dull, or arduous, but are there any in-betweens? Are we either followers of the eat-to-live or live-to-eat creed, or can we be agnostic about it? These questions were on our minds as we opened our call, and we were met with so much more.

Deep Salt Water: Month Six

Room is pleased to feature Month Six of the captivating and thought-provoking Deep Salt Water, an interdisciplinary collaboration among four artists—author Marianne Apostolides, collage artist Catherine Mellinger, photographer Melanie Gordon, and composer Paul Swoger-Ruston—based on the forthcoming book by Apostolides of the same title. Deep Salt Water is an intimate memoir about abortion, expressed through the language and imagery of the ocean.

Between Shadows

This issue of Room works as a tantalizing play of light and shadow on the rich gamut of female experience. It features writers, artists and poets whose dark subjects—death, domestic abuse, suicide, drug crime—are illuminated by fine observation, well-told stories, images in sharp relief, and polished writing.

Room Reader Survey 2018: Help us make Room even better!

Your feedback will help us evaluate our current programs and make informed artistic and administrative decisions moving forward. In addition, this feedback will be used on grant applications and to provide meaningful data to potential advertisers and sponsors, who we rely on to keep our subscriptions and activities affordable for our growing community. We appreciate you taking the time to provide your feedback, and your ongoing support of our work.

Pages

Currently on Newsstands

  • Room 41.2, Changing Language
    Edited by Kayi Wong

    In this issue:

    Manahil Bandukwala, Fang Bu, Allison Graves, Kadijah Guillaume, Ava Homa, Ashley Hynd, Amy LeBlanc, Vanessa Lent, Tasslyn Magnusson, Chloe Yelena Miller, Amy Oldfield, Alycia Pirmohamed, Mia Poirier, Victoria Prevot, Michelle Purchase, Jade Riordan, Ellie Sawatzky, Bren Simmers, Dahae Song, Anne Stone, Susie Taylor, Katherena Vermette, Kayi Wong, Hiba Zafran, Shellie Zhang

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