Sooo . . . now what? It's the question on everybody's mind, and here to help us sort through the raging garbage fire of our culture (aka rampant sexism) is Morgan Brayton, a most wonderful actor, comedian and writer. Morgan's contribution to the #MeToo dialogue is essential, in part because the movement has impacted her on a very personal level. Join Mica and Morgan for an emotionally intense, but ultimately morale-boosting, interview that covers everything from the "rapist roll call" to the Marvellous Mrs. Maisel. Photo: Morgan Brayton.
EXTENDED Deadline: December 15, 2017. Enter for a chance to see your artwork on our June 2018 issue (featuring new writing by Katherena Vermette). First Prize: $500 + publication on the cover of issue 41.2. Judged by Zainub Verjee.
Everything I’ve written to date—whether poetry, prose, essays, or short stories—I’ve written with the sole purpose to answer questions and fill space, to fill the cracks in the narrative. Editing this issue of Room was no different.
Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End Love Songs, won the 2013 Governor General’s Award for Poetry, and her debut novel The Break has won numerous awards and was a Canada Reads 2017 finalist. Most recently, she won the 2017 Canadian Screen Award for her documentary This River.
Room magazine invites women and genderqueer folks who identify as part of the LGBTTQIA+ spectrum to submit their best poetry, fiction, CNF, and art to our first queer-themed issue. We especially encourage submissions from writers affected by multiple intersections of oppression, such as racism, classism, ableism, fatphobia, ageism, and transphobia.
I have never migrated. Not in the traditional sense anyway. My feet have more or less stayed on the same ground. I do, however, come from those who have migrated. From my grandfather who left India to find new life in England. From my mother who left that life in England to come to Canada to meet my father who had migrated from India to see what the other side of the world could offer. These movements inevitably shaped the person I would become. The person I would migrate into.
Polish Your Prose and Poems (And Let Your Writing Shine!) is a course offered by We Are Lit Writers' Rachel Thompson, who is also an experienced editor with Room.
I have been thinking a lot about loss lately. I have been a voracious reader since childhood; I have always filled the spaces created by loneliness and loss with words. For me, and, no doubt, for many, many others, it’s just been one of those years.
After being shortlisted for Room's Annual CNF Contest in 2015, Sarah Kabamba won the Fiction Contest in the same year with “They Come Crying.” Subsequently, the writer was published again in Room—this time with her poetry, “Dust”, in the Women of Colour issue. Room's Kayi Wong talked to Sarah about her motivation and diligence when it comes to multiple genres of writing.
As editors, we had to ask ourselves—Did we pick this theme because it was obvious and we were hungry? Food can be gratifying, dull, or arduous, but are there any in-betweens? Are we either followers of the eat-to-live or live-to-eat creed, or can we be agnostic about it? These questions were on our minds as we opened our call, and we were met with so much more.
Currently on Newsstands
Room 40.4, Let's Make Contact
Edited by Chelene Knight
In this issue:
Kate Balfour, Selina Boan, Chelsea Comeau, elaine corden, Nancy Jo Cullen, Ariel Dawn, Harjit Dosanjh, Jann Everard, Jiyoon Ha, Gili Haimovich, benjamin lee hicks, Edythe Anstey Hanen , Claire Miller-Harder, Kyla Jamieson, Amanda Kelly, Cara Lang, Ashley Little, Andrea MacPherson, Rowan McCandless, Hajer Mirwali, Barbara Rosini, Sheila Sanderson, Taylor Stewart, Anny Tang, Susanne von Rennenkampff, Aisha Walker, jia qing wilson-yang.