Live from the back room of R&B brewing, comedian Katie-Ellen Humphries joins host Mica Lemiski to chat about the different roles we perform—whether on stage, through our art, or in our everyday lives. Also included: how NOT to deal with sexism in a writer's room, and why "I don't change for anyone" is not actually a very cool attitude.
I’ve shared my family secrets in journals and dark cafes, in psychoanalysis, and finally in verse. Until I discovered I could write about growing up with narcissists, I didn’t actually know if some of the more ludicrous events of my childhood had really happened. To me, nothing is brighter than the black and white of the printed page. Writing truly saved my life, my sanity, and my sense of self by allowing me to turn off the gaslights and stand in a pool of truth-light.
Room is accepting your best poetry, fiction, creative non-fiction, and art on any theme—as long as it's captivating and original. The deadline to submit is April 30. Underrepresented writers—including but not limited to women and nonbinary writers who are Black, Indigenous, people of colour, queer and/or disabled—are especially encouraged to submit. Edited by Alissa McArthur.
Deadline: April 30, 2018
Growing Room: A Feminist Literary Festival returns March 1-4, 2018 to Vancouver's Mount Pleasant neighbourhood (traditional, unceded, and ancestral territory of the Musqueam, Tsleil-Waututh, and Squamish peoples).
EXTENDED Deadline: December 15, 2017. Enter for a chance to see your artwork on our June 2018 issue (featuring new writing by Katherena Vermette). First Prize: $500 + publication on the cover of issue 41.2. Judged by Zainub Verjee.
Everything I’ve written to date—whether poetry, prose, essays, or short stories—I’ve written with the sole purpose to answer questions and fill space, to fill the cracks in the narrative. Editing this issue of Room was no different.
Katherena Vermette is a Métis writer from Winnipeg, Manitoba. Her collection of poetry, North End Love Songs, won the 2013 Governor General’s Award for Poetry, and her debut novel The Break has won numerous awards and was a Canada Reads 2017 finalist. Most recently, she won the 2017 Canadian Screen Award for her documentary This River.
Room magazine invites women and genderqueer folks who identify as part of the LGBTTQIA+ spectrum to submit their best poetry, fiction, CNF, and art to our first queer-themed issue. We especially encourage submissions from writers affected by multiple intersections of oppression, such as racism, classism, ableism, fatphobia, ageism, and transphobia.
I have never migrated. Not in the traditional sense anyway. My feet have more or less stayed on the same ground. I do, however, come from those who have migrated. From my grandfather who left India to find new life in England. From my mother who left that life in England to come to Canada to meet my father who had migrated from India to see what the other side of the world could offer. These movements inevitably shaped the person I would become. The person I would migrate into.
Polish Your Prose and Poems (And Let Your Writing Shine!) is a course offered by We Are Lit Writers' Rachel Thompson, who is also an experienced editor with Room.
Currently on Newsstands
Room 41.1, Family Secrets
Edited by Rachel Thompson
In this issue:
Jennifer Amos, Fenn Archdekin-Leung, Jenn Ashton, Jamelie Bachaalani, Colleen Baran, Jenny Bartoy, Alexandra Chang, Kristina Corre, Maggie de Vries, Shirley Harshenin, Jia Hwang, Sharon Jinkerson-Brass, Elizabeth Johnston, Tamara Jong, Manal Kamran, Carrianne Leung, Lily Leung, Mary MacDonald, Alissa McArthur, Cosi Nayovitz, Margaret Nowaczyk, Deanna Partridge-David, Leah Lakshmi Piepzna-Samarasinha, Rebekah Rempel.