Good ol’ witchy magic, heartbreak lit, and more: A...
As Issue 48.2 is still open for Canadian Literary submissions and Art Submissions until the submissions limit is met, we wanted to take some time to get to know the editors of the issue and how they’re thinking behind the scenes! The following is Room Magazine Issue 48.2’s Meet the Editors Q&A. The editors interviewed […]
Necessary Conversations: Writing and interviews by...
Feature, Reading Room, What's New
As we honour this National Day for Truth and Reconciliation and celebrate the sovereignty of all Indigenous peoples worldwide, we turn to writing by and interviews with Indigenous writers and artists from the Room archives and beyond. May these writings guide us to the life work of standing in solidarity with Indigenous peoples, decolonization, resisting […]
“Cree Girl Explodes the Political Project ca...
This week, we return to Emily Riddle’s incredible poem, “Cree Girl Explodes the Political Project called ‘Alberta,’” first published in Room 43.4 Twine. May it guide us to work in service of decolonizing efforts always. Cree Girl Explodes the Political Project called “Alberta” by Emily Riddle After Billy-Ray Belcourt’s “Cree Girl Explodes the Necropolis of […]
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Creative Non-Fiction Contest 2024: The Longlist
Oct 4, 2024 | Contest, Creative Non-Fiction, What's New
We are so excited to announce the longlist for our 2024 Creative Non-Fiction Contest! A big thank...
Read MoreGood ol’ witchy magic, heartbreak lit, and more: An interview with the editors of Room 48.2
Sep 28, 2024 | Interview, What's New
As Issue 48.2 is still open for Canadian Literary submissions and Art Submissions until the...
Read MoreNecessary Conversations: Writing and interviews by Indigenous creators
Sep 27, 2024 | Feature, Reading Room, What's New
As we honour this National Day for Truth and Reconciliation and celebrate the sovereignty of all...
Read More“Cree Girl Explodes the Political Project called ‘Alberta'” by Emily Riddle
Sep 25, 2024 | Poetry, Reading Room
This week, we return to Emily Riddle’s incredible poem, “Cree Girl Explodes the Political...
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Creative Non-Fiction
LatestCreative Non-Fiction Contest 2024: The Longlist
We are so excited to announce the longlist for our 2024 Creative Non-Fiction Contest! A big thank...
Fiction
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This National Indigenous Peoples Day, we return to Gretchen Potter’s tremendous fiction...
Poetry
Latest“Cree Girl Explodes the Political Project called ‘Alberta'” by Emily Riddle
by Natalie Wee
This week, we return to Emily Riddle’s incredible poem, “Cree Girl Explodes the Political...
Contest, Contest Winners
LatestCreative Non-Fiction Contest 2024: The Longlist
We are so excited to announce the longlist for our 2024 Creative Non-Fiction Contest! A big thank...
Book Reviews
Review of Cathedral/Grove by Susan Glick...
Review of Circle Tour by Eva Tihanyi
Review of Crushed Wild Mint by Jess Hous...
Review of Her Body Among Animals by Paol...
Review of To the Forest by Anaïs Barbeau...
Review of Chores by Maggie Burton
Review of Mercy Gene: The Man-Made Makin...
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Review of Any Other City by Hazel Jane P...
Review of Unbroken: My Fight for Surviva...
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Review of Wifehood by Caitlin McKenzie
Review of People You Know, Places You’ve...
Review of Making Up the Gods by Marion A...
Review of Ukrainian Portraits: Diaries f...
Review of Agnes, Murderess by Sarah Leav...
Review of Trembling River by Andrée A. M...
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Review of Hellgoing By Lynn Coady
10 Feminist Ghost Stories to Share Aroun...
Review of Ruby Red Skies by Taslim Burko...
Review of Trailer Park Shakes
Review of brat
Review of Pacifique
Review of Thick Skin by Hilary Peach
Review of CONDOLADY by Elisabeth Bellive...
Review of A is for Acholi by Otoniya J. ...
Review of Nine Dash Line by Emily Saso
Review of Test Piece by Sheryda Warrener
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Review of Wonder World by K.R. Byggdin
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Review of The Bear Woman in Translation
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Review of Manikanetish
The Breaks
Letters to Amelia
Home of the Floating Lily
Phantompains
Stars Need Counting: Essays on Suicide
The Language We Were Never Taught to Spe...
Tainna: The Unseen Ones
awâsis–kinky and dishevelled
Always Brave, Sometimes Kind
Entering Sappho
Kimiko Does Cancer
I Can’t Get You Out of My Mind
I Overcame My Autism and All I Got Was T...
I didn’t want to be read / I wanted / to...
Look After Her
Little Blue Encyclopedia (for Vivian)
Sonnet’s Shakespeare
Beauty In a Box: Detangling the Roots of...
Tension
Whatever, Iceberg
I’m Not Here
Don’t Tell Me What to Do
Where it Hurts
Table Manners
Bad Endings
Tarry This Night
Letters to My Father
Children Shouldn’t Use Knives and Other ...
The Sweetest One
Homegoing
a place called No Homeland
Art Lessons
Painter, Poet, Mountain: After Cézanne
If I Were in a Cage I’d Reach Out for Yo...
Paper Teeth
Work & Days
In-Between Days
Songs of Exile
Oscar of Between: A Memoir of Identity a...
The Theory of Light at Midnight
Bearskin Diary
Falling in Love with Hominids
The Art of Eating by M.F.K. Fisher
Prairie Ostrich
Seven Nights with the Chinese Zodiac
The Kingdom and After
The Homes We Build on Ashes
Bodymap
The Mystics of Mile End
Boy Lost in Wild
The Freedom in American Songs
One Hundred Days of Rain
For Your Own Good
Leak
Gone South and Other Ways to Disappear
Cycling with the Dragon
Motion Sickness
Generations Re-merging
Flowers We Will Never Know the Names Of
Cease
The White Crow
PostApoc
A Bitter Mood of Clouds
Dark Water Songs
Muse
Glossolalia
She Draws the Rain
Women’s Words: An Anthology
Little Cat
Whisk
Bone and Bread
Everything Rustles
King of the Class
How Poetry Saved My Life
Podcast
LatestIndigenous Brilliance Podcast – Season 2 Ep. 3: Intentional composting is creative community care process
In the final episode of season 2, Art Ecosystem members Lexi and Karmella chat with friend and community member Kílila Raine (Squamish Nation) about transformative justice, harm reduction and accountability processes in the context of self care, community care, renewal and growth.
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