As a small, independent literary organization that has operated for over forty years on a shoestring budget, passion, and volunteer labour, every subscription is vital to our existence. We’re hoping to raise at least $5,000 from new (or renewing) subscribers by September 30, 2017.
She built a tower for herself. What a waste
of sand, they all thought, and to not lower
her hair down—who waits, in a desert, to be overcome
This is what I can tell you: On a June night in 1986, my mother drinks from a tall glass of ice water. The radio might be on. If it is on, she is listening to Patti or Luther or The Pointer Sisters or Whitney. She might be singing, voice off-key but still rising proudly up her throat.
The eviction notice came in the middle of a long winter, on one of those afternoons when M just couldn’t warm up, no matter how many sweaters and blankets she piled on her shoulders.
—not part of me. She makes up games
like Quidditch and plays with me.
Body throws me down
Currently on Newsstands
Room 40.2, Our Rubble, Our Loss
Edited by Meghan Bell
In this issue:
Carleigh Baker, Leslie Beckmann, Isa Benn, Alison Braid, Maggie Burton, Ava C. Cipri, Kayla Czaga, Ruth Daniell, Leanne Dunic, Tanis Franco, Andréa Ledding, Tanya Lyons, Kim McCullough, Amber McMillan, Nav Nagra, Sarah Nakamura, Zehra Naqvi, Annmarie O’Connell, Eva Redamonti, Amanda Rhodenizer, stephanie roberts, Emily Schultz, Idrissa Simmonds, Mallory Tater, Erika Thorkelson, Debbie Urbanski, Susan E. Wadds, Laurelyn Whitt, Irene Wilder.
Scaachi Koul has risen to prominence over the last few years as perhaps the most recognizable young voice in Canadian media. Currently a culture writer at Buzzfeed, Koul has gained a huge following on Twitter for her unique blend of self-deprecating humour and scathing commentary on racism and misogyny. She is currently on tour to promote her first book, One Day We’ll All Be Dead and None of this Will Matter, and will be at the Vancouver Public Library on September 26, in conversation with CBC’s Lisa Christiansen. In anticipation, Koul spoke to Room about female mentorship, racism in Canada, and the challenges of self-care. Look for a longer feature interview with Koul in Room’s upcoming issue 41.1, Family Secrets.
“What if we all stopped the cycle of saying ‘this is who your audience is’?”
You don’t need an MFA to be taken seriously as a writer. Most of the time, when there’s a writer that you like, you don't know if they have an MFA or not.
Echoing the cinematic flare of films like Me, Earl and the Dying Girl, Handsome Devil shows the complicated nature of being a teenager without overplaying its hand.
Signature Move boldly uses comedy to dive deep into what it takes to be our true selves.
A podcast about Canadian literature, feminism, and everything in between. New episodes published on the 15th of every month. Hosted by Mica Lemiski. Episode One: Why We Write (featuring poets Selina Boan and Mallory Tater).
A selection of reviews from the 2017 Vancouver Fringe Festival (September 7-17). We'll be adding new reviews throughout the festival, so check back daily for a dose of theatre goodness. Image: Mily Mumford in "Distractingly Sexy."