Abattoirs, Abortuaries, and America (HOO-RAH)
Bleach and Beer-Batters, Batman!
Camaro . . . Catchphrases . . . Catachresis . . .
Donkey-sauce; Donkey-sauce; Donkey-sauce
Ed (Hardy), Edibles (Hearty), and Existentialism (Har-Har-Hardly)
Food-Lube and Folksy Flatulence in Flavortown
Go Big; Go Home; Goatee
Holy-Moly-Stromboli, How Have I Watched 3 Hours of This?
“I can’t go on, I’ll go on”
Jagged Little Swill
Kid Rock’s Bromantic Variety Show
Les Liasons Dangereuses de Lukewarm Leftovers, Listeria, and Lavatories
Motley ‘Cue™ Mansplainer and His Band the Hollandaise Malaise
Not Unless You’ve Lost the Remote Control
On the Road, Part Two: Outta-Bounds ‘n’ Off-the-Hook
Patriotic Pieholes and Postprandial Pain
Rockabilly Reruns ↓—on Route 66—↓
The Horror, The Challah.
Ubiquity, Umbrage, and Unguents
Velveeta, Vasectomies, and Valour
XTRA XTREME EGGZ BENEDICT
Y. No really. WHY. 24 seasons.
Lucas Crawford is the outgoing Critic-in-Residence for CWILA and an incoming assistant professor of English at the University of New Brunswick. Lucas wrote Sideshow Concessions (Invisible Publishing, 2015), which won the Robert Kroetsch Award for Innovative Poetry. Lucas is from rural Nova Scotia.