Creative Non-Fiction

Dazzle Camouflage

“Dazzle Camouflage” is the honourable mention for Room's Creative Non-Fiction Contest 2019. Here's what the judge, Terese Marie Mailhot, has to say about the essay: “‘Dazzle Camouflage’ was full of beautiful language and the depth of the work was wonderful to sit with. It was personal and cerebral and the voice within the work felt poetic and full. What does it mean to inhabit an identity or be part of a larger community and shared history? It’s a beautiful essay looking closely at the self.”

Terese Marie Mailhot: On Personal Narratives and Grief

Black and white photo of author and creative non-fiction judge Terese Marie Mailhot looking into the camera

Terese Marie Mailhot’s Heart Berries has been loved by all since its debut. A New York Times bestseller, Heart Berries was a finalist for the Governor General's Literary Award for English-Language Nonfiction, was selected by no other than Emma Watson as the Our Shared Shelf Book Club Pick for March/April 2018. Terese Marie Mailhot’s work has appeared in Guernica, Pacific Standard, Granta, Mother Jones, Medium, the Los Angeles Times, and elsewhere. She is the recipient of a 2019 Whiting Award, the Electra Quinney Award for Published Stories, a Clara Johnson Award, and she is also the recipient of the Spalding Prize for the Promotion of Peace and Justice in Literature. Room is honoured to have Terese Marie Mailhot judge our 2019 Creative Non-Fiction Contest and we were beyond thrilled to sit down for a chat.

Roping It In

“The calm lunatic—now that is something to aspire to.”—Mary Ruefle, “On Fear”

I learned to skip this year. I use a heavy, knotted rope that thwacks the ground and burns my shoulders and whips my bare toes raw when I stumble. In the early days I’d walk around with welts on my forearms, too, but the self-flagellation has waned with practice. I’ve learned to tread water, to let my feet track familiar patterns—forward and back, side to side, in and out, one to the other—freeing my mind up to notice things.

Well, “freeing” might be an overstatement. 

An Interview with Room's Creative Non-Fiction Judge Stacey May Fowles

Stacey May Fowles

Stacey May Fowles is a novelist, sportswriter, essayist, and Room’s 2018 creative non-fiction contest judge. She received widespread acclaim for her passionate perspective on baseball and fandom in her 2017 essay collection, Baseball Life Advice. We had a chance to talk to Fowles about finding community in writing and what makes for riveting non-fiction.

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  • Room 43.3 Neurodivergence: Collage construction featuring black and white architecture dotted with circular adornments and rectangular window grids.The architectures are both right-side-up and upside-down, challenging gravity while becoming their own planet - bonded together by sharp, clear crystal points and organic blooms of mustard-coloured minerals.
    Room 43.3, Neurodivergence
    Edited by Rachel Thompson

    In this issue:

    K. J. Aiello, Aeman Ansari, Annie Blake, Karmella Cen Benedito De Barros, Aimée Henny Brown, Megan Callahan, Conyer Clayton, Rachel D.L., Dorianne Emmerton, Lauren Ewald, Kate Finegan, Catherine Garrett, LHC, Safiya Hopfe, Madison Hyman, Claire Kelly, Terese Marie Mailhot, Elizabeth McGeown, Kate Mildew, Amy Newell, Lisa O’Neill, Ottavia Paluch, Ryan Rattliff, Nicole Robitaille, Michele Saint-Yves, Emi Sasagawa, L M Schmidt, A.K. Shakour, Jane Shi, Hilary Sideris, Nadia Siu Van, Erin Soros, Léa Taranto, Allison Bird Treacy, Sarah Williams, Lindsay Wong, A. Light Zachary

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