Stories told through comedy from an all-women perspective … it’s genius and super relevant!
As a small, independent literary organization that has operated for over forty years on a shoestring budget, passion, and volunteer labour, every subscription is vital to our existence. We’re hoping to raise at least $5,000 from new (or renewing) subscribers by September 30, 2017.
Our managing editor Chelene Knight spoke with Alicia Elliott about what it’s like being an Indigenous writer in the CanLit world, and her thoughts on authenticity when telling an experience that isn’t your own.
Join us for the launch of our December 2016 issue, 39.4 "This Body's Map", edited by Chelene Knight. There will be readings by Jen Sookfong Lee, Chantal Gibson, Beni Xiao, and Nefertiti, as well as an artist talk by cover artist Samantha deVries-Hofman. Entry by donation.
Natalie Wee is the author of Our Bodies & Other Fine Machines (Words Dance Publishing, 2016) and Once in a Blue Moon (BookThug, 2018). She is the Associate Fiction Editor at Broken Pencil Magazine. Her first book is now available at Amazon and on Goodreads.Room’s Chelene Knight spoke with her about her putting together her first book, and her experience publishing in both the US and in Canada.
Fear the caging of birds. Strangled and brown.
Moving here was like crossing a river,
debriefings, scaling back. Clay pots clogged,
awkward like an ingrown hair, browning down
in the sun. Staring at walls draws a crowd,
like a hardened nipple, a tear-streaked thigh.
We've had so much fun with all you fine folks the last two months, that we just want to keep all this rooftop revelry going . . . so join us on November 18th for a Roomie edition of the Rooftop Reading Series!
More often than not, when Roomies gather, we talk about books. Books we can't put down, books we couldn't put up with, and books that make us talk. For this reading list, eleven of us got together and discussed novels, short story collections, poetry, memoirs, and comics that we have read and loved which happen to be written by Canadian Women of Colour. A few of these are well-known classics, a few are upcoming releases. There are stories set locally and abroad, and also include one in dystopian Toronto. Writing from the Women of Colour perspective is not a genre, but instead a multitude of voices, stories, and experiences coming together. And even though we are honoured to feature a handful of these writers are in our upcoming anthology, we know that this is just a starting point, and by no means a comprehensive list of books written by Canadian WOCs. At Room, we recognize that there is work to do, and we are already working on a part two.
On Friday August 19, Room celebrated several exciting new ventures including a reading to announce our forthcoming fortieth anniversary anthology (to be published March 2017 and launched at the first ever Growing Room: A Feminist Literary Festival in Vancouver). The rooftop was stellar, the readings were amazing, and the ambiance was one of a kind. As the sun began to set, the warm air carried these beauiful voices across the roof and over the city. This was a spectacular evening.
Getting a peek of an avid reader’s bookshelf is one of life’s simple pleasures. If you’ve ever shown up to a house party and gone straight to the host’s bookshelf, you know how satisfying it is to snoop through other readers’ libraries. The editors of Room love reading (obviously), and we’re giving you a glimpse of our shelves and sharing how we get the most out of our sacred reading time.
Currently on Newsstands
Room 40.3, Migration
Edited by Nav Nagra
In this issue:
Rasha Abdulhadi, Juliane Okot Bitek, Ariane Both, Aimee Henny Brown, Leonarda Carranza, Rose-Anne Chabot, Karla Comanda, Marita Dachsel, Stacy Gardner, Branwyn Holroyd, Sandeep Johal, Sharon Kirsch, Katherine Koller, Lydia Kwa, Emily McKibbon, Amanda Merpaw, Shelley Marie Motz, Dorothy Nielsen, Rita O’Grady, Kimberly Peterson, Claire Polders, Ramna Safeer, Nilofar Shidmehr, Arielle Spence, Chanda Stallman, Catherine J. Stewart, Florence Treadwell, Sarah Wolfson, Annie Wong.