When Room decided to launch a Short Forms Contest a few years ago, we wanted to create an avenue for writers who write flash fiction, non-fiction, and/or prose poems—and perhaps writers who experiment with blending and bending genres—to submit their work. (Contest entrants are not required to clarify which genre they are writing in.) The contest itself was kind of an experiment, but two contests and more than 450 submissions later, we are now running the third contest (deadline: November 1, 2018).
“Don’t be such a snob about pop music!” could also be the title of this episode, which features Vancouver pop princess Celina K., also known as the musical act “future star.” Celina and I chat about why we love pop music and how pop stars such as Ariana Grande and Kesha can be beacons of light in difficult times.
Acclaimed author and wonderful human Eden Robinson is here to discuss what it's like to have your book turned into a movie! Eden chats with Mica about what a mind trip it is to visit a film set and hear actors saying lines you wrote, and why she ultimately prefers writing novels over screenplays. Eden also talks about why she chose her home town of Kitamaat Village as the setting for the book and movie version of Monkey Beach, and why pipelines are such a fraught issue in northern coastal towns. She also teases her upcoming trashy band council romance novel, and doesn't that sound great?
Room was excited to have the opportunity to sit down with Billy-Ray Belcourt to chat about obsessions, long form poetry, and struggle at the edge of language. Billy-Ray Belcourt appears at this year’s Vancouver Writer’s Festival in several events including The Poetry Bash on Friday, October 19th at Performance Works.
We were beyond thrilled to have an opportunity to chat with Dionne Brand about her latest novel Theory. Dionne Brand will be at this year’s Vancouver Writer’s Festival in a number of events including Fresh Fiction on Thursday, October 18th at Revue Stage.
Buffy Sainte-Marie is a musical phenom, Indigenous activist, folk hero, and overall powerhouse who has been revolutionizing the Canadian music scene—whether we know it or not—since the early 60s. She is also the subject of Andrea Warner's latest book, Buffy Sainte-Marie: The Authorized Biography, which is not only about Buffy's life as a musician, but also her life as an activist and abuse survivor. In this soul-buoying interview, Andrea chats with Mica about what drew her to Buffy as a subject, and why Buffy's music continues to be relevant—arguably more than ever—in these politically fraught times.
We're thrilled to have the multi-genre author judge our Short Forms Contest this year and took the opportunity to ask her a few questions about her award-winning novels, using magic to explore the construct of gender, and the genre-blurring qualities in her work. DEADLINE EXTENDED TO NOVEMBER 15, 2018!
Vivek Shraya's new bestseller, I'm Afraid of Men, was called "cultural rocket fuel" by Variety—and for good reason. On this episode, Vivek chats with Mica about what inspired the book and its attention-getting title, why toxic masculinity isn't a very productive term, and how the pursuit of self-love can be exhausting and even demoralizing.
The radiant poet Adèle Barclay is here to discuss furry armpits, fuzzy legs, pretty pubes, and why having hair makes her feel feral and alive! Adèle is all about the pursuit of joy, and shaving just doesn't factor into that joy. We also chat queerness, the politics of hair care, and why grooming in service of a partner can be soul-crushing, totally fun, or somewhere in between. If you love discussions that overcomplicate issues of beauty and womanhood, then oh boy oh girl you're in for a treat.
After living in New York for many years, Durga Chew-Bose returned to her hometown of Montréal to finish her debut collection of essays, Too Much and Not the Mood (FSG), which was subsequently named by The Globe and Mail and NPR as one of the best books published in 2017. In the following interview, Room editorial board member Kayi Wong met up with the essayist at a literary festival between her panels, and chatted about Tumblr, the lack of clarity in her writing, and the radical act of liking things as women of colour.
"These queer stories are already ingrained in the land, and I’m just trying to find them. Things are never forgotten, they’re just forgone."—Joshua Whitehead. In an in-depth interview, Room's Jessica Johns chats with Joshua Whitehead, an Oji-Cree Two-Spirit storyteller and academic from Peguis First Nation on Treaty 1 territory in Manitoba, and author of the novel Jonny Appleseed (Arsenal Pulp Press, 2018) and the poetry collection full-metal indigiqueer (TalonBooks, 2017).
Jessica Johns spoke with Arielle Spence, a queer, nonbinary aspiring writer and arts administrator originally from Coldstream, BC (unceded Okanagan Territory). They were the festival director of Growing Room 2017, Room’s inaugural feminist literary festival, one of the assistant editors of the forthcoming queer issue, and are currently editing Room's Magic issue. Here’s a sneak peak of the RoomMate interview.
Zoe Whittall on her recent “zeitgeist” book, sexual harassment in CanLit, how reviews for books by queer writers has changed since her early work, and what she is looking for in submissions to Room’s fiction contest this year.
Covering everything from the state of Canadian media to adult summer camps to racist marketing in the beauty industry, Koul’s writing is as thoughtful as it is funny. Her first book, One Day We’ll All Be Dead and None of This Will Matter (Doubleday, 2017), is a sharp and poignant essay collection that covers family, friendship, racism, immigration, rape culture, and online harassment. In the following interview, Koul speaks to Room about writing her first book, keeping family secrets, and why representation matters.
Hustling Verse: An Anthology of Sex Workers’ Poetry, edited by Amber Dawn and Justin Ducharme, will be a trailblazing collection in which sex workers share their experiential knowledge through the expressiveness, nuance, and beauty of poetry. Currently, Dawn and Ducharme are calling for self-identified sex workers from any part of the industry (survival or trade, past or present) to submit. Poems specifically about sex work are strongly encouraged, though writing about relationships, healing, identity, and other themes that may overlap. The book will be published by Arsenal Pulp Press in the fall of 2019. With the submission deadline nearing, Jónína Kirton caught up with the co-editors for an interview.
To celebrate the launch of Room 41.2 Changing Language, we would like to share the portion of the BackRoom and RoomMate interviews that didn't make it to print. First up, it's Nav Nagra's interview with Dainty Smith, whose work we discovered on Instagram last year.
Vivek Shraya is an artist. Fluent in many mediums including music and the written word, Shraya is also the author of even this page is white, She of the Mountains and her upcoming book I’m Afraid of Men. Shraya released her album Part-Time Woman in 2017 and is one half of the music duo Too Attached, who blew the roof off Room Magazine’s Growing Room 2018 Festival Launch Party earlier this year. I had the pleasure of meeting the powerhouse that is Vivek Shraya at that launch party and jumped at the chance to speak with her again.
On May 1, 2018, the call for Issue 42.1 "Magic" opened. In anticipation of this exciting themed issue, the editorial team of the issue share some thoughts about their connection to the theme, what they're looking for in submissions, and recommendations for ways to live your reading life (and every day) more magical.
Spring may not have sprung wherever you are, but at least we have Room 41.4 to look forward to. This is your chance to be published alongside Kim Fu, author of For Today I Am a Boy and The Lost Girls of Camp Forevermore and an interview with Ayana Mathis, whose novel The Twelve Tribes of Hattie was selected for Oprah’s Book Club. Don’t forget to submit your best writing on any theme before April 30, 2018! Underrepresented writers—including but not limited to women and nonbinary writers who are Black, Indigenous, people of colour, queer and/or disabled—are especially encouraged to submit.
An interview with Renée Sarojini Saklikar, author of children of air india, un/authorized exhibits and interjections (Nightwood Editions, 2013), which won the Canadian Authors Award for poetry and was short-listed for the Dorothy Livesay Award.
Currently on Newsstands
Room 42.2, Borderlands
Edited by Rebecca Russell
In this issue:
Selina Boan, Jenna Butler, Leonarda Carranza, Carolina Corcoran, Šari Dale, Marisol Diaz, Sarah Ens, Paola Ferrante, Katie Fewster-Yan, Hannah Hackney, Lori Hahnel, Natalie Homer, Liz Iversen, Jac Jenkins, Jaslyn Marshall, Laura McGavin, Emily McKibbon, Alessandra Naccarato, Ezi Odozor, Caitlin Prince, Rebecca Salazar, Ellie Sawatzky, Alysia Sawchyn, Farihah Aliyah Shah, Josephine Sloyan, Tanya R. Ward, jiaqing wilson-yang, Elana Wolff.