Naava Smolash is a white settler from a working class immigrant family. Her writing appears in Studies in Canadian Literature, West Coast Line, LitHub, Everyday Feminism, Briarpatch, and the University of Toronto Quarterly. Her essay "The Opposite of Rape Culture is Nurturance Culture" went viral in February 2016 and grew into a book, Turn This World Inside Out, published by AK Press in 2019. She was a member of the No One is Illegal-Vancouver collective from 2005-2009, and the Media Democracy Day-Vancouver collective from 2008-2010. Originally from Montreal, she lives in Coast Salish Territories, also known as Vancouver, British Columbia, where she teaches in the English department at Douglas College. She holds a PhD in English Literature from SFU, and is a 2018 graduate of The Writer’s Studio.
To celebrate the upcoming Growing Room Festival 2020, we are chatting with a few festival authors to learn more about them and their work until the festival rolls around. Isabella Wang chats with some of the talented young writers who will be performing at this year's annual youth reading on March 9. She asks them about their experiences and backgrounds with writing, the communities they're a part of, and what they are most looking forward to.
In the following interview, Manahil Bandukwala chats with poet and fellow festival author, Liz Howard, whose debut poetry collection, Infinite Citizen of the Shaking Tent won the Griffin Poetry Prize in 2016. The author spoke about contamination and poisoning in northern Ontario, developing an ecological consciousness, and being a citizen beyond citizenship.
Publishing’s most avowed history is usually an American one with an all-male cast, peopled by scions like Scribner and Knopf who ruled from corporate thrones. But in an engrossing new book, Toronto Trailblazers: Women in Canadian Publishing (UTP), noted scholar, writer, and book historian Ruth Panofsky offers a lively, impeccably researched, and original history from below of Canada’s publishing industry through the lives of the largely invisible female workforce who shaped it. Lauren Kirshner interviewed Ruth Panofsky about Toronto Trailblazers and the historic role of women in Canada’s publishing industry.
Next up, Chimedum Ohaegbu chats with Jillian Christmas, who is—in addition to being a festival author—one of the programming committee members of Growing Room 2020 and the host and curator of the opening night event at Fox Cabaret. The writer and artist is a force in the spoken word/slam poetry community as a performer, facilitator, anti-oppression advocate, and former Artistic Director of the Vancouver Verses Festival of Words. Read what Jillian has to say about being afraid of the internet, her highly anticipation book of poetry coming out, and page vs performance poetry.
Cassandra Blanchard’s debut poetry collection, Fresh Pack of Smokes, is an immersive, intimate account of drug addiction, love, sex work, and survival on the streets of Vancouver. These are prose poems that shake with urgency, deftly stacking vivid imagery which twists to the emotional core of the book. Her work is unflinching, tender, and fierce. In the following interview, Selina Boan speaks to Cassandra Blanchard about her “love” poems, the biggest challenge in publishing her debut poetry collection, and the community she found because of it.
Kai Cheng Thom’s latest book, I Hope We Choose Love: A Trans Girl’s Notes From the End of the World (Arsenal Pulp, 2019), is an expansive and intimate collection of essays and poetry on transformative justice and radical love, both in and beyond queer activist communities. Read what the multi-genre writer thinks about choosing love, writing in different genres, and the ideal secret society.
This episode is an audio highlight reel, featuring snippets from some of the best convos had on the show—like, ever! We've got insight from: Vivek Shraya, Anne T. Donahue, Lisa Taddeo, Alexandra Bischoff, Soraya Chemaly, Morgan Brayton, Jen Sookfong Lee, Stacey May Fowles, Mozhdah Jamalzadah, Anna Mehler Paperny, Megan Jones, and Jocelyn Tennant.
In this interview, Manahil Bandukwala talks to Amanda Leduc ahead of her appearance at Growing Room 2020. Read what Leduc has to say about “Disney-fying” fairy tales, writing non-fiction, and nurturing community.
Our 2020 Fiction Contest judge and Growing Room Festival author, Rebecca Fisseha, is the author of Daughters of Silence (Goose Lane Editions), which was listed among the most anticipated fiction titles of Fall 2019 by CBC Books and 49th Shelf, and one of Quill & Quire’s breakout debut novels of 2019. Room editorial board member, Lue Boileau, took the opportunity to chat with our fiction judge and festival author about why she chose to write Daughter of Silence before any other book, writing difficult truths, and the faith she has developed for her writing process.
Room editorial board member Tamara Jong spoke to Bindu Suresh about her novel 26 Knots and getting that first line just right, early writing influences, and which actors she'd like to see play her characters if her book became a movie.
To celebrate the upcoming Growing Room Festival 2020, we are chatting with a few festival authors to learn more about them and their work until March rolls around. In the following interview, Room reader and Growing Room Festival author, Nafiza Azad, chats with fellow festival author—Tanya Boteju!
To celebrate the upcoming Growing Room Festival 2020, we are chatting with a few festival authors to learn more about them and their work until March rolls around. Kicking this series off is Chelene Knight's interview with Téa Mutonji!
Lindsay Wong's fearless writing and a
Cara Nelissen writes and thinks about pining, unrequited wanting, and the kind of bleeding love that makes us all feel kind of...pathetic. In this episode, Cara and Mica talk about queer pining, why Cara likes to discuss death on a first date, what *might* happen when you die, MAGIC, and why crows are kind of spectacular.
Hustling Verse is a vital and impressive collection that unites poetry and activism. It makes clear that sex workers, once objects of scrutiny, continue to gain strength as the subjects and creators of powerful art. As poet Milcah Halili puts it, “whores don't let public mockery stop our glow.” Lauren Kirshner connected to co-editors Amber Dawn and Justin Ducharme to discuss the story behind Hustling Verse and the place of poetics in sex worker collective action.
In this seasonally-driven solo episode, Mica lays on the table all her varied feelings about the holidays and attempts to charm you with stories of Christmas magic and mayhem.
In this ep, poet Brandi Bird chats with Mica about what may have triggered their psychotic break, how they sought treatment in the psych ward, and the link between OCD and eating disorders.
Singer-songwriting Saffron A. chats with Mica about why music has proved to be a more effective vehicle for justice than the actual justice system, how she balances faith with feminism, and why a shaved head is a powerful thing!
Jess Taylor's new short story collection, "Just Pervs," explores women's desire and sexual taboo in strange, wonderful, necessary ways. In this ep, Jess and Mica talk about why we rarely think of women when we think of "pervs," and why hyper-sexuality is still viewed as sexual deviance when coming from women.
Currently on Newsstands
Room 43.3, Neurodivergence
Edited by Rachel Thompson
In this issue:
K. J. Aiello, Aeman Ansari, Annie Blake, Karmella Cen Benedito De Barros, Aimée Henny Brown, Megan Callahan, Conyer Clayton, Rachel D.L., Dorianne Emmerton, Lauren Ewald, Kate Finegan, Catherine Garrett, LHC, Safiya Hopfe, Madison Hyman, Claire Kelly, Terese Marie Mailhot, Elizabeth McGeown, Kate Mildew, Amy Newell, Lisa O’Neill, Ottavia Paluch, Ryan Rattliff, Nicole Robitaille, Michele Saint-Yves, Emi Sasagawa, L M Schmidt, A.K. Shakour, Jane Shi, Hilary Sideris, Nadia Siu Van, Erin Soros, Léa Taranto, Allison Bird Treacy, Sarah Williams, Lindsay Wong, A. Light Zachary.